![]() It's never properly established that the infected have any real retention of their humanity or memories, and yet he just keeps appearing throughout the rest of the movie, as though he was some sort of zombie Terminator, his only mission being to finish off his children. The first is the bizarre omnipresence of Don after he is turned. Now, that being said, there are two primary complaints I have about the film that I didn't necessarily have on my initial viewing. I also love the relationship between Scarlet and Doyle, and how, after the kids lose both their parents in very short order, they both immediately step in and take on a pseudo-parental role for them, their sole concern being the safety of the children (though obviously for different reasons than their actual parents would have had), and how both ultimately end up sacrificing their lives to ensure the children are able to escape. After he finally escapes, speeding down the river, tearfully whimpering "Oh shit," to himself over and over, I don't know if I've ever related to a character as much as to him right in that moment. In just a few short minutes, half a dozen emotions, ranging from nostalgia to tension to pure terror, are mercilessly flung at you, culminating in the gut-wrenching moment when Don, seeing no other options, abandons his wife Alice to certain death. ![]() I, on the other hand, saw it in theaters and absolutely loved it at the time, but hadn't watched it again since then.įirst off, despite the very real criticisms of the rest of the movie, the intro is one of the most perfect prologues ever put on film as far as I'm concerned. She had seen 28 Days Later a long time ago, but never this one. So over the weekend I watched 28 Weeks Later (2007) with my wife, who hadn't seen it before.
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